The TJ Gnanavel directorial also stars actors Rajisha Vijayan, Prakash Raj, Rao Ramesh and Lijo Mol Jose, among others in pivotal roles. The film is set to release on November 2, ahead of Deepavali. Jai Bhim: Actor Suriya’s much-anticipated Tamil legal drama Jai Bhim is also gearing up for OTT release on Amazon Prime Video. Watch the trailer of Thinkalazhcha Nishcahayam:
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The makers are yet to announce the release date of the film on SonyLIV. The story is penned by Senna Hegde himself and the screenplay is by him and Sreeraj Raveendran. Set in Kerala’s Kanhangad, the Northern district of Kasaragod, Thinkalazhcha Nishc hayam is produced by Pushkar Films. Touted to be a family drama, the film reportedly revolves around the story of a dysfunctional family. Starring actors Anagha Narayanan, Aishwarya Suresh, Ajisha Prabhakaran, Anuroop P, Arpith Hegde, Manoj K U, Renji Kankol, Sajin Cherukayil, Sunil Surya and Unnimaya Nalappadam in key roles, the film bagged two Kerala State Awards – for the second-best film and best story of the year respectively. Thinkalazhca Nishchayam: Filmmaker Senna Hegde's Malayalam movie Thinkalazhcha Nishchayam is all set for its digital premiere on Over-the-Top (OTT) platform SonyLIV, following its screening at the International Film Festival of Kerala (IFKK). We have put together a list of south Indian movies that are gearing up for OTT release shortly. It merely floats with Anirudh’s music.As predicted by many members from the film fraternity, we are witnessing the co-existence of theatres and OTT, with both cinema halls and streaming platforms having new releases lined up. ‘Thanga Magan’ refuses to be an entertainer. I agree that it’s a mass dialogue for crowds that visit the theatres to see their Star win against all odds but it sticks out like a piece of chicken in a bowl of broccoli. Actually what he says there makes no sense whatsoever within the cinematic boundary ‘Thanga Magan’ draws. That dialogue about Tamil not losing to other languages in Tamil Nadu (which appears in the trailer as well) brings fewer whistles compared to Dhanush’s romantic escapades with Amy. While the villain is on the verge of a nervous breakdown as his speech about how he’s born to win is demolished by Tamizh’s handwork, Dhanush, the star, is awarded with a punch line. It’s okay if Sathish can’t come up with gags when the film is taking a dramatic turn the way it happens in many Tamil television serials, still it’s not okay to watch uninspired action scenes featuring Dhanush. Similarly, humor makes way for action in the second episode. He neither has dialogues nor has his shadow in the film anymore. Midway through the film, Sathish loses importance. Sathish tags along with Dhanush throughout the first episode. Writer – director Velraj has shifted his focus from mother sentiment to father sentiment in a year and gives Samantha and Amy some delectable scenes even though all that Samantha does is support her screen husband who is the only lead. Slowly, Dhanush reveals a part of the story via flashback. The movie in fact opens with the death of the father (K. Velraj killed the mother’s character in ‘Velai Illa Pattadhaari’, and in ‘Thanga Magan’, he kills the father’s character. She is so good-natured I’d say she’s marshmallow in human form. She falls for simple lines at first and later walks away due to flimsy arguments. His instant attraction toward Amy works in his favor after he delivers a couple of harmless jokes regarding her beauty. Tamizh’s (Dhanush) life is divided between the time zones of first love and first marriage. Dhanush is a real “thanga magan” in ‘Thanga Magan’ but if the two hour movie were released episodically (one hour each), the audiences would have been happy with just the first episode because the second episode here becomes a mini-struggle to sit through.